NEW ALT PERFORMANCE GROUP 2010/2011 SEASON

 

 

 

 

GUTENBERG!: THE MUSICAL!

Written by Scott Brown and Anthony King

Starring David Butler and Tim Newell

Directed by Loraine O’Donnell

Musical Direction by Chuck Basil

Choreography by Amy Taravella

 

January 20 – February 6, 2011

 

Performances:

Thursday, January 20       8pm  

Friday, January 21            8pm

Saturday, January 22       8pm

Sunday, January 23          7pm

 

Thursday, January 27       8pm

Friday, January 28            8pm

Saturday, January 29       8pm

 

Thursday, February 3       8pm

Friday, February 4            8pm

Saturday, February 5       8pm

Sunday, February 6          7pm

 

In this two-man musical spoof, a pair of aspiring playwrights perform a backers’ audition for their new project - a big, splashy musical about printing press inventor Johann Gutenberg. With an unending supply of enthusiasm, Bud and Doug sing all the songs and play all the parts in their crass historical epic, with the hope that one of the producers in attendance will give them a Broadway contract – fulfilling their ill-advised dreams.

“A smashing success! Scott Brown and Anthony King are superb comic writers." -The New York Times

 

GLENGARRY GLEN ROSS

Written by David Mamet

Directed by Ronald J Leonardi

 

February 17, 2011 – March 12, 2011

 

The NAPG presents an all female cast for this 1984 Pulitzer Prize scalding comedy about small-time, cutthroat real estate salespeople trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream.   This play brilliantly demonstrates the tough life of hardened characters who cajole, connive, wheedle, and wheel and deal for a piece of the action-where closing a sale can mean a brand new Cadillac but losing one can mean losing it all. 

 

 

 

Little Shop of Horrors

March 24 - April 16, 2011

 

Thursday, March 24      8pm

Friday, March 25            8pm

Saturday, March 26       8pm

Thursday, March 31      8pm

Friday, April 1                  8pm

Saturday, April 2            8pm

Sunday, April 3               7pm

Thursday, April 7            8pm

Friday, April 8                  8pm

Saturday, April 9             4pm & 8pm

Thursday, April 14          8pm

Friday, April 15                8pm

Saturday, April 16          4pm & 8pm

 

Book and Lyrics by Howard Ashman

Music by Alan Menken

Based on the film by Roger Corman

Screenplay by Charles Griffith

Direction, Musical direction & costumes by Bret Runyon

 Assistant Direction & Choreography by Amy Taravella

 

Little Shop of Horrors is a dark parody of American life in the fifties.  The street urchins Ronette and the Crystals, observe the entire show from the outside looking in.  Seymour Krelborn is a nerdy orphan working at Mushnik's, a flower shop in urban Skid Row.  He harbors a crush on fellow co-worker Audrey Fulquard, and is berated by Mr. Mushnik daily.  One day Seymour finds a mysterious unidentified plant which he names Audrey II,  that seems to have a craving for blood and begins to sing for his supper.  Soon enough, Seymour unwittingly feeds Audrey's sadistic dentist boyfriend, Orin Scrivello,  to the plant and later, Mr. Mushnik for witnessing the death of Audrey's ex.  Will Audrey II take over the world or will Seymour and Audrey defeat it and live in Suburban Heaven? 

 

MEDEA

Written by Euripides with a translation by Ian Johnston of Malaspina University-College, Nanaimo, BC, Canada

Directed by David Lundy

 

May 5 – May 28,  2011

 

Medea we know as the wronged woman who takes the incredibly drastic measure of killing her children. Our 2011 production sets the action in a mental hospital circa 1975, and inserts simulated newscasts of actual, similar events, i.e. Susan Smith, Andrea Yates, and Dena Schlosser to demonstrate the relevance of the classics as human nature has not changed through the ages.  Each actor will play a dual role: that of an actual character of the play, and that of hospital worker/nurse/physician. The Greek Chorus, speaking through the mediums of poetry and dance reflect and comment upon the unity of the minds of the women of Corinth and will be broadcast to the audience, giving the sense of contemporaneous action parallel to ancient Greek tragedy.